![]() Touching From a Distance, the 1995 memoir by Curtis's widow Deborah, complicated the narrative by describing a troubled epileptic who struggled to reconcile the demands and temptations of life in a fast-rising band with his responsibilities as a husband and father, but that acquired its own romantic sheen in Anton Corbijn's biopic Control. ![]() The Joy Division story often appears misleadingly neat in the telling: two near-perfect albums of unusual grace and gravity, a handful of other songs, some memorable, occasionally violent gigs, then a human catastrophe which forced the surviving members into a new life as New Order. This anecdote is typical of bass guitarist Peter Hook's conflicted account of his first band's cruelly abbreviated existence. "Ha, you wankers, I'm pissing in your room," says this tortured poet, this future icon of doomed youth. On this particular night, however, Curtis is urinating in an ashtray in his bandmates' youth hostel room. Manchester quartet Joy Division have just played a show in Brussels and are a few days away from recording Atmosphere, the sepulchral masterpiece that will take on uncanny weight seven months later, when the body of 23-year-old singer Ian Curtis is found hanging in his kitchen.
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